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    <subtitle>stuff at the intersection</subtitle>  
    
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        <title>Out with the old</title>   
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        <published>2008-09-22T22:50:28Z</published>
        <updated>2008-12-11T15:30:36Z</updated>
    
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        <p>Just scanning through my laptop and I find a folder called projects with lots of notes, proposals and ideas. So since they have been there for ages and I have not done anything with them and their time has probably past I am going to spring clean, well, actually dump a few here and lets see what we have.<div><br /></div><div>So, here we go:</div><div><br /></div><div><div>Title: Mapping pervasive surveillance</div><div><br /></div><div>Outline: Across the UK, CCTV cameras cover most of the population and now other forms of electronic and bureucratic surveillance are being rolled out to monitor our lives. We are watching back, developing a communal markup to describe the technologies and placement of surveillance and to make this information available to artists, activists and anyone else who wants it.</div><div><br /></div><div>The numbers though are enormous, how to map and track technologies designed to track us? We are developing simple markups and syndication formats to allow for a communal growth of the data.</div><div><br /></div><div>This information is vital for us to reshape our lives in the mediated world, it allows us to understand patterns of activity within our towns and cities, estates and streets. It will allow us to recliam and understand what we are giving up.</div><div><br /></div><div><br /></div><div>---</div><div><br /></div><div><div>Installation ideas:</div><div><br /></div><div>Wifi transparent zone</div><div>&#160;&#160; &#160;A space, with open wifi available, but the walls project what is being viewed over the connection.</div><div><br /></div><div>---</div><div><br /></div><div><div>Photography, Art and Metadata</div><div><br /></div><div>Digital photography has lots of associated meta-data, this is information that can easily be added too.</div><div><br /></div><div>This presentation will look at two projects &#39;I want to photograph everybody&#39; and &#39;iCurate&#39; both are based around the ease of electronic photographic production and use both the associated metadata as well as extra data such as FOAF, or Cloud Tagging.</div><div><br /></div><div>Both projects are designed to be viewed over the web as well as being able to enter the real world through exhibition spaces and prints. They both work with the concept of digital images and associated meta-data.</div><div><br /></div><div>iCurate allowing the user to build a &#39;show&#39; based around the results of searches against the tags people add to their photographs on the flickr service.</div><div><br /></div><div>&#39;I want to photograph everybody&#39; uses photography, and FOAF to build up a network of people that I photograph and meet. The most obvious links will be to the people who attend the conferences and workshops that I also attend as a part of my work, but the network is open to expansion beyond this and a part of the results will be the people who start to appear within the network beyond the original expected circles. In this I will be looking for input from those who are photographed to intorduce new people into the network. When I eventually &#39;meet&#39; them and take their photograph they officially become a part of the network, thus there is a part of the process that takes place outside the online world back in the real world.</div><div><br /></div><div>&#39;iCurate&#39; is a web based tool that will allow anyone to generate the results at any time whilst &#39;I want ...&#39; is an open ended and ongoing project with shows and displays that will snapshot the progress of the network.</div><div><br /></div><div>The result will be a view as to the possibility that the meta-data or the interaction and the connections made by possible such data could possible be considered art. From a technical point of view.</div><div><br /></div><div>---</div><div><br /></div><div><p style="margin: 0.0px 0.0px 0.0px 23.0px; text-indent: -23.0px; font: 12.0px Helvetica"><span style="font: 13.0px AppleGothic; color: #555555">▼</span><span class="Apple-tab-span" style="white-space:pre">	</span>❑<span class="Apple-tab-span" style="white-space:pre">	</span>Data Collection</p>
<p style="margin: 0.0px 0.0px 0.0px 41.0px; text-indent: -41.0px; font: 12.0px Helvetica"><span class="Apple-tab-span" style="white-space:pre">	</span><span style="font: 13.0px AppleGothic; color: #555555">▼</span><span class="Apple-tab-span" style="white-space:pre">	</span>❑<span class="Apple-tab-span" style="white-space:pre">	</span>Car</p>
<p style="margin: 0.0px 0.0px 0.0px 59.0px; text-indent: -59.0px; font: 12.0px Helvetica"><span class="Apple-tab-span" style="white-space:pre">	</span><span style="font: 13.0px AppleGothic; color: #555555">▼</span><span class="Apple-tab-span" style="white-space:pre">	</span>❑<span class="Apple-tab-span" style="white-space:pre">	</span>Data</p>
<p style="margin: 0.0px 0.0px 0.0px 77.0px; text-indent: -77.0px; font: 12.0px Helvetica"><span class="Apple-tab-span" style="white-space:pre">	</span><span style="font: 13.0px Helvetica">•</span><span class="Apple-tab-span" style="white-space:pre">	</span>❑<span class="Apple-tab-span" style="white-space:pre">	</span>Date Mileometer Petrol (Date, cost, location of Petrol Station, Company)</p>
<p style="margin: 0.0px 0.0px 0.0px 59.0px; text-indent: -59.0px; font: 12.0px Helvetica"><span class="Apple-tab-span" style="white-space:pre">	</span><span style="font: 13.0px AppleGothic; color: #555555">▼</span><span class="Apple-tab-span" style="white-space:pre">	</span>❑<span class="Apple-tab-span" style="white-space:pre">	</span>Car computer</p>
<p style="margin: 0.0px 0.0px 0.0px 77.0px; text-indent: -77.0px; font: 12.0px Helvetica"><span class="Apple-tab-span" style="white-space:pre">	</span><span style="font: 13.0px Helvetica">•</span><span class="Apple-tab-span" style="white-space:pre">	</span>❑<span class="Apple-tab-span" style="white-space:pre">	</span>Mini-ITX</p>
<p style="margin: 0.0px 0.0px 0.0px 59.0px; text-indent: -59.0px; font: 12.0px Helvetica"><span class="Apple-tab-span" style="white-space:pre">	</span><span style="font: 13.0px AppleGothic; color: #555555">▼</span><span class="Apple-tab-span" style="white-space:pre">	</span>❑<span class="Apple-tab-span" style="white-space:pre">	</span>Research</p>
<p style="margin: 0.0px 0.0px 0.0px 77.0px; text-indent: -77.0px; font: 12.0px Helvetica"><span class="Apple-tab-span" style="white-space:pre">	</span><span style="font: 13.0px Helvetica">•</span><span class="Apple-tab-span" style="white-space:pre">	</span>❑<span class="Apple-tab-span" style="white-space:pre">	</span>Connecting to car computer to extract engine data</p>
<p style="margin: 0.0px 0.0px 0.0px 77.0px; text-indent: -77.0px; font: 12.0px Helvetica"><span class="Apple-tab-span" style="white-space:pre">	</span><span style="font: 13.0px Helvetica">•</span><span class="Apple-tab-span" style="white-space:pre">	</span>❑<span class="Apple-tab-span" style="white-space:pre">	</span>See Gavin&#39;s idea on car data website</p>
<p style="margin: 0.0px 0.0px 0.0px 77.0px; text-indent: -77.0px; font: 12.0px Helvetica"><span class="Apple-tab-span" style="white-space:pre">	</span><span style="font: 13.0px Helvetica">•</span><span class="Apple-tab-span" style="white-space:pre">	</span>❑<span class="Apple-tab-span" style="white-space:pre">	</span>Grants work</p>
<p style="margin: 0.0px 0.0px 0.0px 41.0px; text-indent: -41.0px; font: 12.0px Helvetica"><span class="Apple-tab-span" style="white-space:pre">	</span><span style="font: 13.0px AppleGothic; color: #555555">▼</span><span class="Apple-tab-span" style="white-space:pre">	</span>❑<span class="Apple-tab-span" style="white-space:pre">	</span>Other transport</p>
<p style="margin: 0.0px 0.0px 0.0px 59.0px; text-indent: -59.0px; font: 12.0px Helvetica"><span class="Apple-tab-span" style="white-space:pre">	</span><span style="font: 13.0px Helvetica">•</span><span class="Apple-tab-span" style="white-space:pre">	</span>❑<span class="Apple-tab-span" style="white-space:pre">	</span>Bike</p>
<p style="margin: 0.0px 0.0px 0.0px 59.0px; text-indent: -59.0px; font: 12.0px Helvetica"><span class="Apple-tab-span" style="white-space:pre">	</span><span style="font: 13.0px Helvetica">•</span><span class="Apple-tab-span" style="white-space:pre">	</span>❑<span class="Apple-tab-span" style="white-space:pre">	</span>Alternative transport ideas</p>
<p style="margin: 0.0px 0.0px 0.0px 41.0px; text-indent: -41.0px; font: 12.0px Helvetica"><span class="Apple-tab-span" style="white-space:pre">	</span><span style="font: 13.0px AppleGothic; color: #555555">▼</span><span class="Apple-tab-span" style="white-space:pre">	</span>❑<span class="Apple-tab-span" style="white-space:pre">	</span>House</p>
<p style="margin: 0.0px 0.0px 0.0px 59.0px; text-indent: -59.0px; font: 12.0px Helvetica"><span class="Apple-tab-span" style="white-space:pre">	</span><span style="font: 13.0px AppleGothic; color: #555555">▼</span><span class="Apple-tab-span" style="white-space:pre">	</span>❑<span class="Apple-tab-span" style="white-space:pre">	</span>Readings</p>
<p style="margin: 0.0px 0.0px 0.0px 77.0px; text-indent: -77.0px; font: 12.0px Helvetica"><span class="Apple-tab-span" style="white-space:pre">	</span><span style="font: 13.0px Helvetica">•</span><span class="Apple-tab-span" style="white-space:pre">	</span>❑<span class="Apple-tab-span" style="white-space:pre">	</span>Gas Meter Reading: Date/Time Meter reading</p>
<p style="margin: 0.0px 0.0px 0.0px 77.0px; text-indent: -77.0px; font: 12.0px Helvetica"><span class="Apple-tab-span" style="white-space:pre">	</span><span style="font: 13.0px Helvetica">•</span><span class="Apple-tab-span" style="white-space:pre">	</span>❑<span class="Apple-tab-span" style="white-space:pre">	</span>Water Meter: Date/Time Meter reading</p>
<p style="margin: 0.0px 0.0px 0.0px 77.0px; text-indent: -77.0px; font: 12.0px Helvetica"><span class="Apple-tab-span" style="white-space:pre">	</span><span style="font: 13.0px Helvetica">•</span><span class="Apple-tab-span" style="white-space:pre">	</span>❑<span class="Apple-tab-span" style="white-space:pre">	</span>Electricity Meter: Date/Time Meter reading</p>
<p style="margin: 0.0px 0.0px 0.0px 59.0px; text-indent: -59.0px; font: 12.0px Helvetica"><span class="Apple-tab-span" style="white-space:pre">	</span><span style="font: 13.0px AppleGothic; color: #555555">▼</span><span class="Apple-tab-span" style="white-space:pre">	</span>❑<span class="Apple-tab-span" style="white-space:pre">	</span>Sensors</p>
<p style="margin: 0.0px 0.0px 0.0px 77.0px; text-indent: -77.0px; font: 12.0px Helvetica"><span class="Apple-tab-span" style="white-space:pre">	</span><span style="font: 13.0px Helvetica">•</span><span class="Apple-tab-span" style="white-space:pre">	</span>❑<span class="Apple-tab-span" style="white-space:pre">	</span>Wattson - DIYKyoto - do some more research / maybe buy one</p>
<p style="margin: 0.0px 0.0px 0.0px 77.0px; text-indent: -77.0px; font: 12.0px Helvetica"><span class="Apple-tab-span" style="white-space:pre">	</span><span style="font: 13.0px Helvetica">•</span><span class="Apple-tab-span" style="white-space:pre">	</span>❑<span class="Apple-tab-span" style="white-space:pre">	</span>Wind sensor - measure the wind speed over time around the house, to be able to evaluate the possibility of using wind power</p>
<p style="margin: 0.0px 0.0px 0.0px 77.0px; text-indent: -77.0px; font: 12.0px Helvetica"><span class="Apple-tab-span" style="white-space:pre">	</span><span style="font: 13.0px Helvetica">•</span><span class="Apple-tab-span" style="white-space:pre">	</span>❑<span class="Apple-tab-span" style="white-space:pre">	</span>Temperature sensors - around house</p>
<p style="margin: 0.0px 0.0px 0.0px 41.0px; text-indent: -41.0px; font: 12.0px Helvetica"><span class="Apple-tab-span" style="white-space:pre">	</span><span style="font: 13.0px AppleGothic; color: #555555">▼</span><span class="Apple-tab-span" style="white-space:pre">	</span>❑<span class="Apple-tab-span" style="white-space:pre">	</span>Stuff</p>
<p style="margin: 0.0px 0.0px 0.0px 59.0px; text-indent: -59.0px; font: 12.0px Helvetica"><span class="Apple-tab-span" style="white-space:pre">	</span><span style="font: 13.0px AppleGothic; color: #555555">▼</span><span class="Apple-tab-span" style="white-space:pre">	</span>❑<span class="Apple-tab-span" style="white-space:pre">	</span>Data on stuff</p>
<p style="margin: 0.0px 0.0px 0.0px 77.0px; text-indent: -77.0px; font: 12.0px Helvetica"><span class="Apple-tab-span" style="white-space:pre">	</span><span style="font: 13.0px Helvetica">•</span><span class="Apple-tab-span" style="white-space:pre">	</span>❑<span class="Apple-tab-span" style="white-space:pre">	</span>Barcodes</p>
<p style="margin: 0.0px 0.0px 0.0px 77.0px; text-indent: -77.0px; font: 12.0px Helvetica"><span class="Apple-tab-span" style="white-space:pre">	</span><span style="font: 13.0px Helvetica">•</span><span class="Apple-tab-span" style="white-space:pre">	</span>❑<span class="Apple-tab-span" style="white-space:pre">	</span>Free range eggs have a code on it that says what farm it came from, can we get that data for example</p>
<p style="margin: 0.0px 0.0px 0.0px 59.0px; text-indent: -59.0px; font: 12.0px Helvetica"><span class="Apple-tab-span" style="white-space:pre">	</span><span style="font: 13.0px Helvetica">•</span><span class="Apple-tab-span" style="white-space:pre">	</span>❑<span class="Apple-tab-span" style="white-space:pre">	</span>Japan - using barcodes to get data on products</p>
<p style="margin: 0.0px 0.0px 0.0px 59.0px; text-indent: -59.0px; font: 12.0px Helvetica"><span class="Apple-tab-span" style="white-space:pre">	</span><span style="font: 13.0px Helvetica">•</span><span class="Apple-tab-span" style="white-space:pre">	</span>❑<span class="Apple-tab-span" style="white-space:pre">	</span>Art project - scan barcodes to get corporate data on companies</p>
<p style="margin: 0.0px 0.0px 0.0px 23.0px; text-indent: -23.0px; font: 12.0px Helvetica"><span style="font: 13.0px AppleGothic; color: #555555">▶</span><span class="Apple-tab-span" style="white-space:pre">	</span>❑<span class="Apple-tab-span" style="white-space:pre">	</span>Talk Idea</p><p style="margin: 0.0px 0.0px 0.0px 23.0px; text-indent: -23.0px; font: 12.0px Helvetica"><br /></p><p style="margin: 0.0px 0.0px 0.0px 23.0px; text-indent: -23.0px; font: 12.0px Helvetica">---</p><p style="margin: 0.0px 0.0px 0.0px 23.0px; text-indent: -23.0px; font: 12.0px Helvetica"><br /></p><p style="margin: 0.0px 0.0px 0.0px 23.0px; text-indent: -23.0px; font: 12.0px Helvetica"><p style="margin: 0.0px 0.0px 0.0px 23.0px; text-indent: -23.0px; font: 12.0px Helvetica">I decided that this was something I wanted to do shortly after helping with the first Big Brother Awards. I spoke to some friends and toyed with some data models but being easily distracted never fully pushed the idea through. Still it was on the web and I still got the occasional email, mostly calling me evil and CCTV is evil and ...</p><p style="margin: 0.0px 0.0px 0.0px 23.0px; text-indent: -23.0px; font: 12.0px Helvetica">But the project has not gone away and the need for it just grows and grows.</p><p style="margin: 0.0px 0.0px 0.0px 23.0px; text-indent: -23.0px; font: 12.0px Helvetica">iSee/Applied Autonomy have worked in NYC on mapping the cameras around Manhatten, the idea was floated again on the first MySociety.org call for ideas, Urban Eye, a research project being carried out by Clive Norris and ***** is building local data of areas for academic study.</p><p style="margin: 0.0px 0.0px 0.0px 23.0px; text-indent: -23.0px; font: 12.0px Helvetica">Meanwhile the use of CCTV proliferates. The number of cameras in the UK alone is huge and this is just set to increase, especially due to the current climate of fear that pervades many countries.</p><p style="margin: 0.0px 0.0px 0.0px 23.0px; text-indent: -23.0px; font: 12.0px Helvetica">The UK is CCTV101, a test lab for the use of video surveillance within a democratic society.</p><p style="margin: 0.0px 0.0px 0.0px 23.0px; text-indent: -23.0px; font: 12.0px Helvetica">So how do we map this. The answer has to be, after years of toying and trying things out, boldly.</p><p style="margin: 0.0px 0.0px 0.0px 23.0px; text-indent: -23.0px; font: 12.0px Helvetica">When we first conceived this project, CCTV was highly unregulated. Police would not even be aware where many cameras were situated. Now we are sure that the Police are doing more to make sure that they know where cameras are, this information is still not made available to the public.</p><p style="margin: 0.0px 0.0px 0.0px 23.0px; text-indent: -23.0px; font: 12.0px Helvetica">So to start with, the first approach is to go out outside and look for the cameras. Look where they are situated, how are they mounted, where they are pointing. Understand how they appear in the urban infrastructure.</p><p style="margin: 0.0px 0.0px 0.0px 23.0px; text-indent: -23.0px; font: 12.0px Helvetica">The sheer scale of such an undertaking on a national or international scale can be daunting and has in fact made us pause on a number of occasions, as we make up data and system models to handle the size of the data, but realise that we do not have the resources to actually build the data centre required.</p><p style="margin: 0.0px 0.0px 0.0px 23.0px; text-indent: -23.0px; font: 12.0px Helvetica">To approach this you have to take a collaborative approach and not just for the collecting of the data but also for the storage and availability.</p><p style="margin: 0.0px 0.0px 0.0px 23.0px; text-indent: -23.0px; font: 12.0px Helvetica"><br /></p><p style="margin: 0.0px 0.0px 0.0px 23.0px; text-indent: -23.0px; font: 12.0px Helvetica">Simon Davies, Director of Privacy International, had at one point suggested that as a project we map the areas not under video surveillance. Whilst this would be more feasible in defining an approachable dataset, what you would have would be a rapidly decreasing dataset.</p><p style="margin: 0.0px 0.0px 0.0px 23.0px; text-indent: -23.0px; font: 12.0px Helvetica">Whilst this may make for a striking image and may still be a useful project to undertake (instead of gauging pricavy and freedom in terms of number of cameras, how about using percentage of country not under surveillance). It is not what I wanted to undertake.</p><p style="margin: 0.0px 0.0px 0.0px 23.0px; text-indent: -23.0px; font: 12.0px Helvetica">which brings us to the issue of recording a camera. How do we record information on a piece of street furniture like a surveillance camera?</p><p style="margin: 0.0px 0.0px 0.0px 23.0px; text-indent: -23.0px; font: 12.0px Helvetica">Do we consider, say, a poll with 2 or 3 cameras on it a single entity or isi t correct to record each camera?</p><p style="margin: 0.0px 0.0px 0.0px 23.0px; text-indent: -23.0px; font: 12.0px Helvetica">In fact what are we trying to record, the cameras or the spaces under visual surveillance? (bringing us back around to the idea of mapping those spaces not under visual surveillance).</p><p style="margin: 0.0px 0.0px 0.0px 23.0px; text-indent: -23.0px; font: 12.0px Helvetica">What we want to do is define a schema, something simple that will allow people to hold files, say, for their street or maybe their route to work. Then much like FOAF, we could spider these files to build up a map of cameras. This way the maintenance of the data is up to an individual but the amount of data that they would have to maintain would be of a size that they feel is acceptable to them.</p><p style="margin: 0.0px 0.0px 0.0px 23.0px; text-indent: -23.0px; font: 12.0px Helvetica">This model also sits well with another, early intention of the CCTv database, as originally conceived. This being that all we are doing is collecting, storing and serving data on cameras and their location.</p><p style="margin: 0.0px 0.0px 0.0px 23.0px; text-indent: -23.0px; font: 12.0px Helvetica">What people do with this information is up to them. We came up with a few brief examples.</p><p style="margin: 0.0px 0.0px 0.0px 23.0px; text-indent: -23.0px; font: 12.0px Helvetica"><br /></p><p style="margin: 0.0px 0.0px 0.0px 23.0px; text-indent: -23.0px; font: 12.0px Helvetica">* Police interface - allowing the Police to monitor this information. We expect that they already have their own initiative and process here and I am sure there are a myriad of reasons why they would not want to use such a datasource (not necessarily justifiable reasons, but reasons all the same). This idea was floated to demonstrate the the project was politically agnostic about the cameras. They are there and need to be counted, whether you are police or activist, when it comes to using the data was not, for us, as the database creators, important.</p><p style="margin: 0.0px 0.0px 0.0px 23.0px; text-indent: -23.0px; font: 12.0px Helvetica">* CCTV Density for UpMyStreet</p><p style="margin: 0.0px 0.0px 0.0px 23.0px; text-indent: -23.0px; font: 12.0px Helvetica">* Activist route planner. Similar to the iSee project, what would be the route of least surveillance?</p><p style="margin: 0.0px 0.0px 0.0px 23.0px; text-indent: -23.0px; font: 12.0px Helvetica">&#160;</p><p style="margin: 0.0px 0.0px 0.0px 23.0px; text-indent: -23.0px; font: 12.0px Helvetica">&#160;</p></p><p style="margin: 0.0px 0.0px 0.0px 23.0px; text-indent: -23.0px; font: 12.0px Helvetica"><br /></p><p style="margin: 0.0px 0.0px 0.0px 23.0px; text-indent: -23.0px; font: 12.0px Helvetica">---</p><p style="margin: 0.0px 0.0px 0.0px 23.0px; text-indent: -23.0px; font: 12.0px Helvetica"><br /></p><p style="margin: 0.0px 0.0px 0.0px 23.0px; text-indent: -23.0px; font: 12.0px Helvetica"><p style="margin: 0.0px 0.0px 0.0px 23.0px; text-indent: -23.0px; font: 12.0px Helvetica"><span style="font: 13.0px Helvetica">•</span><span class="Apple-tab-span" style="white-space:pre">	</span>❑<span class="Apple-tab-span" style="white-space:pre">	</span>Create an open source presentation stack</p>
<p style="margin: 0.0px 0.0px 0.0px 23.0px; text-indent: -23.0px; font: 12.0px Helvetica"><span style="font: 13.0px Helvetica">•</span><span class="Apple-tab-span" style="white-space:pre">	</span>❑<span class="Apple-tab-span" style="white-space:pre">	</span>Create a plan for an City based Centre for Alternative Technology (UrbanCAT)</p>
<p style="margin: 0.0px 0.0px 0.0px 23.0px; text-indent: -23.0px; font: 12.0px Helvetica"><span style="font: 13.0px AppleGothic; color: #555555">▶</span><span class="Apple-tab-span" style="white-space:pre">	</span>❑<span class="Apple-tab-span" style="white-space:pre">	</span>Visualisation tools</p>
<p style="margin: 0.0px 0.0px 0.0px 23.0px; text-indent: -23.0px; font: 12.0px Helvetica"><span style="font: 13.0px AppleGothic; color: #555555">▼</span><span class="Apple-tab-span" style="white-space:pre">	</span>❑<span class="Apple-tab-span" style="white-space:pre">	</span>Energy Boutiques</p>
<p style="margin: 0.0px 0.0px 0.0px 41.0px; text-indent: -41.0px; font: 12.0px Helvetica"><span class="Apple-tab-span" style="white-space:pre">	</span><span style="font: 13.0px AppleGothic; color: #555555">▶</span><span class="Apple-tab-span" style="white-space:pre">	</span>❑<span class="Apple-tab-span" style="white-space:pre">	</span>They find you the greenest power</p>
<p style="margin: 0.0px 0.0px 0.0px 41.0px; text-indent: -41.0px; font: 12.0px Helvetica"><span class="Apple-tab-span" style="white-space:pre">	</span><span style="font: 13.0px Helvetica">•</span><span class="Apple-tab-span" style="white-space:pre">	</span>❑<span class="Apple-tab-span" style="white-space:pre">	</span>They micro manage your energy use and purchase</p>
<p style="margin: 0.0px 0.0px 0.0px 41.0px; text-indent: -41.0px; font: 12.0px Helvetica"><span class="Apple-tab-span" style="white-space:pre">	</span><span style="font: 13.0px Helvetica">•</span><span class="Apple-tab-span" style="white-space:pre">	</span>❑<span class="Apple-tab-span" style="white-space:pre">	</span>flag up warnings about high energy use / carbon emissions</p>
<p style="margin: 0.0px 0.0px 0.0px 41.0px; text-indent: -41.0px; font: 12.0px Helvetica"><span class="Apple-tab-span" style="white-space:pre">	</span><span style="font: 13.0px Helvetica">•</span><span class="Apple-tab-span" style="white-space:pre">	</span>❑<span class="Apple-tab-span" style="white-space:pre">	</span></p>
<p style="margin: 0.0px 0.0px 0.0px 23.0px; text-indent: -23.0px; font: 12.0px Helvetica"><span style="font: 13.0px AppleGothic; color: #555555">▼</span><span class="Apple-tab-span" style="white-space:pre">	</span>❑<span class="Apple-tab-span" style="white-space:pre">	</span>Visual Billing</p>
<p style="margin: 0.0px 0.0px 0.0px 41.0px; text-indent: -41.0px; font: 12.0px Helvetica"><span class="Apple-tab-span" style="white-space:pre">	</span><span style="font: 13.0px AppleGothic; color: #555555">▼</span><span class="Apple-tab-span" style="white-space:pre">	</span>❑<span class="Apple-tab-span" style="white-space:pre">	</span>mobile phone</p>
<p style="margin: 0.0px 0.0px 0.0px 59.0px; text-indent: -59.0px; font: 12.0px Helvetica"><span class="Apple-tab-span" style="white-space:pre">	</span><span style="font: 13.0px AppleGothic; color: #555555">▼</span><span class="Apple-tab-span" style="white-space:pre">	</span>❑<span class="Apple-tab-span" style="white-space:pre">	</span>show calls graphically</p>
<p style="margin: 0.0px 0.0px 0.0px 77.0px; text-indent: -77.0px; font: 12.0px Helvetica"><span class="Apple-tab-span" style="white-space:pre">	</span><span style="font: 13.0px Helvetica">•</span><span class="Apple-tab-span" style="white-space:pre">	</span>❑<span class="Apple-tab-span" style="white-space:pre">	</span>to who</p>
<p style="margin: 0.0px 0.0px 0.0px 77.0px; text-indent: -77.0px; font: 12.0px Helvetica"><span class="Apple-tab-span" style="white-space:pre">	</span><span style="font: 13.0px Helvetica">•</span><span class="Apple-tab-span" style="white-space:pre">	</span>❑<span class="Apple-tab-span" style="white-space:pre">	</span>duration</p>
<p style="margin: 0.0px 0.0px 0.0px 77.0px; text-indent: -77.0px; font: 12.0px Helvetica"><span class="Apple-tab-span" style="white-space:pre">	</span><span style="font: 13.0px Helvetica">•</span><span class="Apple-tab-span" style="white-space:pre">	</span>❑<span class="Apple-tab-span" style="white-space:pre">	</span>(where you were)</p>
<p style="margin: 0.0px 0.0px 0.0px 77.0px; text-indent: -77.0px; font: 12.0px Helvetica"><span class="Apple-tab-span" style="white-space:pre">	</span><span style="font: 13.0px Helvetica">•</span><span class="Apple-tab-span" style="white-space:pre">	</span>❑<span class="Apple-tab-span" style="white-space:pre">	</span>Can download recordings of all calls.</p><p style="margin: 0.0px 0.0px 0.0px 77.0px; text-indent: -77.0px; font: 12.0px Helvetica"><br /></p><p style="margin: 0.0px 0.0px 0.0px 77.0px; text-indent: -77.0px; font: 12.0px Helvetica"><br /></p><p style="margin: 0.0px 0.0px 0.0px 59.0px; text-indent: -59.0px; font: 12.0px Helvetica">Just some ideas, the state of my head at various times. Veers, towards surveillance a lot. Lets see if I can actualise any of the current batch :).</p><p style="margin: 0.0px 0.0px 0.0px 59.0px; text-indent: -59.0px; font: 12.0px Helvetica"><br /></p><p style="margin: 0.0px 0.0px 0.0px 59.0px; text-indent: -59.0px; font: 12.0px Helvetica"><br /></p></p></div></div></div></div></p>   <p style="clear:both;"> 
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        </content> 
    </entry> 
    
    <entry>
        <title>standard operating procedure</title>   
        <link rel="alternate" type="text/html" title="standard operating procedure" href="http://nodalpoints.vox.com/library/post/standard-operating-procedure.html?_c=feed-atom-full" />  
        <link rel="service.post" type="application/atom+xml" title="standard operating procedure" href="http://nodalpoints.vox.com/library/post/standard-operating-procedure.html?_c=feed-atom-full#comments" /> 
        <link rel="service.edit" type="application/atom+xml" title="standard operating procedure" href="http://www.vox.com/atom/svc=post/asset_id=6a00ccff8ddda940640100a7f16f82000e" />                    <id>tag:vox.com,2008-08-12:asset-6a00ccff8ddda940640100a7f16f82000e</id>
        <published>2008-08-12T11:31:06Z</published>
        <updated>2008-08-31T22:16:09Z</updated>
    
        <author>
            <name>nodalpoints</name>
            <uri>http://nodalpoints.vox.com/?_c=feed-atom-full</uri>
        </author>
    
        
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        <p>I recently finished reading the book &#39;<a href="http://www.amazon.co.uk/Standard-Operating-Procedure-War-Story/dp/0330452002/ref=sr_1_1?ie=UTF8&amp;s=books&amp;qid=1218539067&amp;sr=8-1">Standard Operating Procedure</a>&#39; by Philip Gourevitch and Errol Morris. It is based on the interviews that were made for the <a href="http://www.sonyclassics.com/standardoperatingprocedure/">Errol Morris film</a> of the same name. </p>
    
    
    





        






    
    
    





        






    
    
    





        






    
    
    





        






    
    
    





        






    
    
    





        






    
    
    





        






    
    
    





        





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                <div class="enclosure-asset-name"><a href="http://nodalpoints.vox.com/library/book/6a00ccff8ddda9406400fad6a29f600005.html" title="Standard Operating Procedure: A War Story">Standard Operating Procedure: A War Story</a></div>
                <div class="enclosure-asset-subtitle overflow-hidden">Philip Gourevitch</div>
            
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<p></p><p>It is about, if you do not already know, what happened at Abu Ghraib prison in Iraq. Why did US military personnel abuse prisoners there and why did they record there actions in photographs.</p><p>The story is truly terrifying in what was allowed to happen. </p><p>I don&#39;t though want to write specifically about those events or even this specific book here. Instead I am just starting to collate some notes and thoughts on an idea about the reporting on this.</p><p>In fact, I first read about this outside the daily press in Seymour Hersh&#39;s book &#39;Chain of Command&#39;.</p>
    
    
    





        






    
    
    





        






    
    
    





        






    
    
    





        






    
    
    





        






    
    
    





        






    
    
    





        






    
    
    





        





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                <div class="enclosure-asset-name"><a href="http://nodalpoints.vox.com/library/book/6a00ccff8ddda9406400fad6a29f6b0005.html" title="Chain of Command">Chain of Command</a></div>
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<p><br />Within this book this episode is a much smaller part of the whole, an exposure of the then current state of Iraq and America&#39;s &#39;adventure&#39; there. </p><p>What I want to record here now is some notes and thoughts on the words around this story, where they are, what can be built and can they lead us into further insights into what happened, why it happened and what we now do to stop it ever happening again.</p><p>The heart of stories is words. Even though pictures play a key part in this tale the pictures themsleves carry a baggage that makes the viewer complicit in some way. Many of the pictures taken by the soldiers were published in newspapers across the world but in these two works of reportage they are not reproduced. One of the images is hinted at in the cover of the SOP book, but otherwise their content is described in words. </p><p>Does this rob them of their power to involve reader, investigating the story through these texts? By relying on words do the authors in fact, properly, remove the artefacts, the pictures from the story and in fact present us with the terrible actions that took place to physicalise what was going on in the minds of these soldiers?</p><p>Can we generate meta texts around the documentary evidence and reporting around this stroy that will tell us more? Could it be used to bring in people who would otherwise not engage with the story and therefore not encounter the possibility to learn from it.</p><p>In the Seymour Hersh book reference is made to the report by General&#160; Antonio Taguba, the <a href="http://en.wikipedia.org/wiki/Taguba_report">Taguba Report</a>. This report, though marked as Secret / No Foreign Dissemination has in fact been available to the public worldwide since at least May 2, 2004. (You can read it <a href="http://news.findlaw.com/hdocs/docs/iraq/tagubarpt.html">here</a>).</p><div><span class="Apple-style-span" style="font-family: &#39;lucida grande&#39;; line-height: 22px; ">Given a large body of text, on the internet I think one of the first things to do is to look at term extraction and visualisation of the body of text.</span></div><div><br /></div><div>So this is a <a href="http://wordle.net/">wordle</a> visualisation of the Taguba report. Does it tell us anything? On its own probably not, but maybe comapred to other visualisations of the same text and other texts that are related it may give us a view of the story that we may not have seen before.<br /><br /></div><div>
    
    
    

    
    
    
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</div><div><br />This is just the first step of an experiment. I call it &#39;This is our algorithm&#39; wanting to look at truth and stories when as work online.<br /><br />update:<br /><br />Here is the wordle visualisation for this, &#39;<span id="lblArticleContent"><a href="http://www.defenselink.mil/speeches/speech.aspx?speechid=118">Testimony of Secretary of Defense Donald H. Rumsfeld</a>&#39;</span><br /><pre id="embed"><br /></pre><pre id="embed">
    
    
    

    
    
    
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</pre><pre id="embed">and here is the visualisation for the Wikipedia <a href="http://en.wikipedia.org/wiki/Abu_Ghraib_torture_and_prisoner_abuse">page</a> on the events at Abu Ghraib</pre><pre id="embed">

    
    
    

    
    
    
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</pre><br />More soon hopefully.<br /><br /><br /> <div><br /></div><div><br /></div><div><br /></div></div>   <p style="clear:both;"> 
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        </content> 
    <category term="journalism" scheme="http://nodalpoints.vox.com/tags/journalism/" label="journalism" /> 
    <category term="abu ghraib" scheme="http://nodalpoints.vox.com/tags/abu+ghraib/" label="abu ghraib" /> 
    <category term="standard operating procedure" scheme="http://nodalpoints.vox.com/tags/standard+operating+procedure/" label="standard operating procedure" /> 
    <category term="thisisouralgorithm" scheme="http://nodalpoints.vox.com/tags/thisisouralgorithm/" label="thisisouralgorithm" /> 
    </entry> 
    
    <entry>
        <title>Books and community</title>   
        <link rel="alternate" type="text/html" title="Books and community" href="http://nodalpoints.vox.com/library/post/books-and-community.html?_c=feed-atom-full" />  
        <link rel="service.post" type="application/atom+xml" title="Books and community" href="http://nodalpoints.vox.com/library/post/books-and-community.html?_c=feed-atom-full#comments" /> 
        <link rel="service.edit" type="application/atom+xml" title="Books and community" href="http://www.vox.com/atom/svc=post/asset_id=6a00ccff8ddda9406400e398de885f0005" />          <id>tag:vox.com,2008-02-20:asset-6a00ccff8ddda9406400e398de885f0005</id>
        <published>2008-02-20T11:50:50Z</published>
        <updated>2008-02-20T11:50:50Z</updated>
    
        <author>
            <name>nodalpoints</name>
            <uri>http://nodalpoints.vox.com/?_c=feed-atom-full</uri>
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        <content type="html" xml:base="http://nodalpoints.vox.com/?_c=feed-atom-full">
            <![CDATA[
                <div xmlns="http://www.w3.org/1999/xhtml" xmlns:at="http://www.sixapart.com/ns/at">
        <p><a href="http://www.gavinbell.com/">Gavin Bell</a> has posted the <a href="http://www.slideshare.net/gavin/gavin-bell-from-readers-of-books-to-a-community-of-readers-oreilly-toc08">slides</a> from his recent talk at <a href="http://www.oreillynet.com/conferences/blog/toc/">TOC08</a>. Some good stuff here on nurturing the online community around content that can equally apply to broadcasters such as the BBC as much as publishing houses. (Gaving used to work at the <a href="http://www.bbc.co.uk/">BBC</a>, he is now at Nature). </p>   <p style="clear:both;"> 
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        </content> 
    <category term="community" scheme="http://nodalpoints.vox.com/tags/community/" label="community" /> 
    <category term="thesocialbar" scheme="http://nodalpoints.vox.com/tags/thesocialbar/" label="thesocialbar" /> 
    </entry> 
    
    <entry>
        <title>A BBC Question Of Air</title>   
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        <published>2008-02-12T10:28:35Z</published>
        <updated>2008-02-13T22:37:51Z</updated>
    
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        <p>I am obviously very interested in the perception of the BBC and its content, what it does, what it could do and what it should do (as well as all the negatives to those questions). So out of curiosity, I have a few questions below, if you would not mind answering them on your blogs (put a link back to here so we can find it) we can see if we can learn anything.</p><p>The BBC does run surveys on bbc.co.uk on occassion, and it has a whole department whose job it is is to understand the audience. I just want to see what the picture might be if we took a more grass roots approach.</p><p>If you do not want to blog the answers then you can email them to me, let me know if you mind me blogging your answers, anonymously of course.</p><p>Right, questions (and my answers). Oh yes, you always reserve the right to change your mind :), these are just a snapshot of perception today.</p><p><strong>1. What BBC content do you watch / listen to /  interact with which you feel strongly about. In fact what content do you just enjoy, passively &#39;consume&#39; etc. </strong></p><p>I watch a fair bit of TV and listen to the Radio, though mostly Radio 4 and XFM. BBC4 is my favourite idea of a channel, though how much do I get around to watching? What is interesting I guess is that of an evening I will watch stuff as it is on, its usually nothing that I am passionate about though.</p><p>Last thursday we sat down to watch &#39;Ashes to Ashes&#39; as we had enjoyed &#39;Life On Mars&#39; so much. Of course these things rarely live up to their expectations.</p><p><strong>2. How much of this do you get from traditional routes (i.e. broadcast to your television, radio or recorded off air via a video / pvr) vesus other routes (BBC Listen Again, iPlayer, DVD or download via the likes of Bittorrent)? How much of this material is BBC and how much from other sources?</strong></p><p>Well I do watch a fair bit as it is broadcast but that is more of an evening &#39;what is on&#39;. BBC content wise, well I do download from an internal experimental service which means I do not use iPlayer. I use Macs at home anyway so to play back full screen I would have to run windows, streaming to a window is not really that good an experience. Even with a large pipe internet connection from Be* the streams still stop. This was a problem with Joost as well.</p><p>We have made use of Listen Again a bit, but not that much. I am more passive about radio content. If it is on then I can listen in and get into it but if I miss it then it rarely matters. On the odd occasion I have bought the CD from the BBC Shop, for say the recent Dirk Gently dramatisation.</p><p>I do by a few DVDs as well, though these have mostly been for documentary content. Coast and Planet Earth. I also bought the Planets and Space when I was doing an Open University short course on Planets.</p><p>Bittorrent I do, ahem, use but that is mostly for those shows that premiere in the States, I had watched all of Heroes before BBC2 started showing it (and therefor knew how slow the show got).</p><p>iTunes, well it has supplied me with the odd episode of South Park and I may get some Babylon 5 from it but again these are not BBC shows and here it is a trade off between waiting for the DVD&#39;s to be in a sale at the likes of HMV (in the case of Babylon 5) or not be that bothered (in the case of South Park).</p><p>As to the website, I look at the news and check schedules. I rarely go to a site to find out more about the show becuase I feel that I can get a better discussion elsewhere, which leads us onto ...</p><p><strong>3. Where do you talk about BBC content? Online, on your blog, forums, amongst your online friends? or do you just chat about it at work, at the pub. Do you have &#39;water cooler moments&#39; or do you in fact not really talk about it much?</strong></p><p>My blog a bit a guess, with friends and at work. The old &#39;did you see&#39; (we spoke a bit about &#39;Life On Mars&#39;). In fact I have not had the urge to really talk about much television at all recently. Which is a pity as there is a lot out there that is worthy of discussion.</p><p>I think back to what excited me about television. I enjoyed Dr. Who, Blakes 7, in fact a whole load of TV scifi. Now I enjoy Dr. Who (the new ones) but it is not brilliant (a few episodes have been worthy of the alieness that the doctor should embody). Torchwood is just shouting and swearing and rather predictable polymorphous perversity. (Now Cronenberg on TV...). In fact Battlestar Galactica is the best scifi on TV right now.</p><p>Edge of Darkness is still a level to be attained by much TV drama. It worked on so many levels but again maybe I was just at that impressionable age at school, just reading Crisis comic, listening to The The&#39;s Infected albumn.</p><p>Adam Curtis is the most interesting person on television at the moment, and all you do is hear his voice. It is a visual radio programme.The playful nature of the mash-ups of archive footage, the thesis being conveyed all make for compelling television and something that I would want to talk about. The BBC&#39;s support for discussion on &#39;The Power of Nightmares&#39; was awful though.</p><p>Oh, and my favourite TV series of all time, damn, well it is between Edge of Darkness and The Prisoner. I guess you can tell a lot about me from that.</p><p><strong>4. If you wanted to get in touch with the people who made the content how would you go about it?</strong></p><p>Slight unfair advantage, I could try the internal email system. Otherwise though I would try the BBC website, the contact us links do work eventually. Would I leave a comment on a page though? Depends on what I want to say I guess. </p><p>Ok my answers are fairly weak actually, humm, but what do you think?</p><p>If you can think of any other questions that should be here, that might make for useful learning on perception and thinking about what the BBC should / could do then please feel free to add them, I&#39;ll update the questions list.<br /> </p>   <p style="clear:both;"> 
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        </content> 
    <category term="bbc" scheme="http://nodalpoints.vox.com/tags/bbc/" label="bbc" /> 
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    <entry>
        <title>Games and Journalism</title>   
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        <published>2008-02-04T16:59:50Z</published>
        <updated>2008-02-04T16:59:50Z</updated>
    
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        <p>Just so that I don&#39;t loose it, Philip Trippenbach hads been blogging about games and Journalism for a while now. Lots of interesting posts <a href="http://trippenbach.wordpress.com/">here</a>. </p>   <p style="clear:both;"> 
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    <entry>
        <title>A (very) informal (unofficial) BBC experiment</title>   
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        <published>2008-01-26T09:12:49Z</published>
        <updated>2008-01-26T09:12:50Z</updated>
    
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        <p>I am the Technical Project Manager for the <a href="http://www.bbc.co.uk/languages/">Languages</a> site on bbc.co.uk. This is a great resource if you are interested in languages and especially if you want to start learning a new one. If you want to learn <a href="http://www.bbc.co.uk/languages/french/mafrance/">French</a>, <a href="http://www.bbc.co.uk/languages/german/lj/">German</a>, <a href="http://www.bbc.co.uk/languages/spanish/lj/">Spanish</a> or <a href="http://www.bbc.co.uk/languages/italian/lj/">Italian</a> we have interactive courses to get you started. If you want you can also pick up some basic <a href="http://www.bbc.co.uk/languages/chinese/real_chinese/">Chinese</a> and <a href="http://www.bbc.co.uk/languages/other/portuguese/talk/">Portuguese</a> you can also find some starters here.&#160;<div><br class="webkit-block-placeholder" /></div><div>The site has a strong community of people who use it, in support or preparation for taking a course, about to go on holiday or just interested in languages. It&#39;s audience is also global, with visitors from everywhere.</div><div><br class="webkit-block-placeholder" /></div><div>A quick search on <a href="http://www.technorati.com/search/http%3A%2F%2Fwww.bbc.co.uk%2Flanguages">Technorati</a> showed, at the time of writing this post 2,189 blog links to the Languages homepage. That is not bad.</div><div><br class="webkit-block-placeholder" /></div><div>What I would like to do is try and get the two joined up a bit. The team at the office know about the weblogs and are thinking about cool things to try but I want to run a small pre-cursor experiment.</div><div><br class="webkit-block-placeholder" /></div><div>I am not very good at learning languages, my wife is Iranian and our six year old son is bilingual. He does not use Farsi that much now he is at school, but it is still there and was there from an early age. Now I know we do not have farsi on the Languages website, I keep asking though :). Maybe need to stretch my Language learning muscles a bit so should start on one of the languages on the site.&#160;</div><div><br class="webkit-block-placeholder" /></div><div>The courses are designed to be taken in short modules, part of a lunch break for example.</div><div><br class="webkit-block-placeholder" /></div><div>I am sure this is similar to lots of people, trying to fit some learning into a busy life. What I want to do as well is record my progress and of course the place to do that is a weblog. So all the posts on this will be tagged&#160;</div><div><br class="webkit-block-placeholder" /></div><blockquote class="webkit-indent-blockquote" style="margin: 0 0 0 40px; border: none; padding: 0px;"><p>bbclanguages</p></blockquote><blockquote class="webkit-indent-blockquote" style="margin: 0 0 0 40px; border: none; padding: 0px;"><p><br class="webkit-block-placeholder" /></p></blockquote>My request is, if you are interested in learning a language and using the BBC languages website or already do and you are blogging it then could you:<div><br class="webkit-block-placeholder" /></div><div><ul><li>Let me know, either an email or a comment here would be great.</li><li>Tag your posts with bbclanguages when you blog about your experiences learning a language, it does not have to relate directly to the website, maybe a story of you using some of your new language skills in the real world.</li><li>If you are not already, get your weblog registered on <a href="http://www.technorati.com/">technorati</a>.</li></ul><div>If you know anyone else who is interested in language learning or might be interested in this idea then let them know and get them to drop me a line. If you want advice on setting up a weblog, what to do and what it entails then also let me know and I will prepare some notes.</div><div><br class="webkit-block-placeholder" /></div><div>I just want to see how well a weblog community can interact with a BBC website. At the moment I know loads of you are out there but I want to make sure that we are as much a part of the community as possible, if you have been reading some of my earlier posts about the <a href="http://nodalpoints.vox.com/library/post/raising-the-social-bar.html">Social</a> <a href="http://nodalpoints.vox.com/library/post/further-on-the-social-bar.html">Bar</a>, you will know that I have some ideas on how the BBC should start to interact with the rest of the web more (it already does in pockets).</div><div><br class="webkit-block-placeholder" /></div><div>There are already interesting group blogs on topics BBC based, one of the best being <a href="http://speechification.com/">Speechification</a>, by <a href="http://russelldavies.typepad.com/">Russell</a>, <a href="http://www.cityofsound.com/blog/">Dan</a> and others, which blogs about the interesting programmes that have been on radio 4. The idea here though is to build out more of a community (or old webring) of sites that share the common interest (at least for some of their posts) at hand.&#160;</div><div><br class="webkit-block-placeholder" /></div><div>And like I said, its just an experiment. I will report back on both my language learning progress as well as the progress of the experiment.</div></div></p>   <p style="clear:both;"> 
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    <entry>
        <title>Warhammer 25 years</title>   
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        <published>2008-01-25T17:31:34Z</published>
        <updated>2009-12-03T03:37:24Z</updated>
    
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        <p>Apparently <a href="http://uk.games-workshop.com/warhammer/">WarHammer</a>, the tabletop fantasy battles game is 25 years old this year. The game is published by <a href="http://www.games-workshop.com/aboutus.htm">Games Workshop</a> which has over those years changed itself quite considerably.</p><p>As a kid my friend and I would often get the bus from Kingston to Richmond and then the District line to Hammersmith with a short walk to what was then, as far as I know the only Games Workshop shop in the country. It was always busy on a saturday. At that time they sold all manner of games, as the amount of stuff that they published was much smaller.</p>
    
    
    

    
    
    

    
    
    

    
    
    
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<p>


In fact I had one of the first sets of rules for the game, though I never really got to play it. I think I was a sucker for collecting rules and never following through enough in actually playing. Still it always looked great fun when you saw a game with all those figures. (In fact, my real desktop battle game of choice was <a href="http://www.sjgames.com/carwars/">Car Wars</a>).</p><p>Sadly these rules did not survive the many moves and growing up that happens, unlike a number of other games which I recovered from a loft earlier this year.</p><p>Still the other day I picked up a copy of <a href="http://uk.games-workshop.com/whitedwarf/">White Dwarf</a>, GW&#39;s magazine to see how things have changed. I know the stores are all over the place now and only sell GW published material. They also host games and hobby events which I think is excellent. White Dwarf is of course just focused on material for these games, but the I suppose Imagine, which was the magazine published by <a href="http://en.wikipedia.org/wiki/TSR,_Inc.">TSR</a> Uk really only focused on <a href="http://en.wikipedia.org/wiki/Dungeons_%26_Dragons">Dungeons &amp; Dragons</a> (and a bit of <a href="http://en.wikipedia.org/wiki/Star_Frontiers">Star Frontiers</a> in later life). White Dwarf at the time I was getting it was the indy mag.</p><p>Why was I interested, still not really sure. One I am interested in games again and play, two I have a six year old son, playing games like this made me what I am (not sure yet if that is a good or bad thing) so maybe he would enjoy it too. Thirdly is there new stuff we could do with such games? Could you take a game as well documented as WarHammer and subvert it? Make it a tool to play Buckminster Fuller type &#39;World Games&#39;, would they be worth playing and would you gain anything from them?</p><p>I have no idea on that count, but it might be fun to try (plus it involves playing with miniture figures and dice).</p><p>If anyone who reads this is playing War Hammer or similar and has any comments on this then please let me know.</p><p>The Games That Came Back:</p>


    
    
    

    
    
    

    
    
    
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<p></p><p></p> <div><br /></div><div><br /></div>   <p style="clear:both;"> 
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    <category term="games" scheme="http://nodalpoints.vox.com/tags/games/" label="games" /> 
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    <entry>
        <title>Further notes on the Social Bar</title>   
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        <published>2008-01-16T11:10:29Z</published>
        <updated>2008-01-25T15:02:51Z</updated>
    
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        <p>Continuing from the post on the Social Bar, I thought I would put down some details on where it comes from. </p><p>Initially I was given some time to do a bit of R&amp;D, as a part of one of the technical teams here. I was interested in another way of dealing with comments. I wrote my initial proposal and started putting together some GreaseMonkey and Ruby prototypes as well as lots of sketches. I did eventually realise that there was not a big tech project here but a set of ideas that may or may not work. I had proposed this for Etech, but withdrew the proposal when I realised that all I was producing was in fact these ideas on how to think about comments and not anything that you could really measure.</p><div at:enclosure="asset" at:xid="6a00ccff8ddda9406400e398d601f80005 6a00ccff8ddda9406400e398d5ea7a0002" at:format="strip-vertical" at:align="left" class="enclosure enclosure-left enclosure-strip enclosure-strip-vertical"  style="text-align: center; float: left;">
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<p><br />I have been thinking about comments for a while, I built a site a while back that converted the UK Governments ID Card Consultation White Paper into a weblog, each post was a paragraph from the document and of course you could comment against each comment.</p><p>Most of the comments were not that useful and could not really inform a consultation.</p><p>More recently I am taking part in a project with the <a href="http://www.designagainstcrime.com/">Design Against Crime</a> initiative at Central St. Martins school of Art and Design, <a href="http://www.bikeoff.org/">Bike Off</a> is all about bike parking. The lasest research project (AHRC/EPSRC funded) is about developing standards for bike parking facilities. Part of the project is to have a public consultation on the proposed standards and we are going to evaluate a number of online and offline ways of doing this.</p><p>One of the ideas to address the comments problem was to switch off the comments. In other words we would produce a resource where it was easy to link into the document, to be able to link into the heart of the document when you wanted to write your response to the consultation. It is a model that I expect that we will still try. The point here was that you would (or at least should) get better &#39;comments&#39; if in fact you did not want to host the comments but just make sure you had a good number of linkable too elements that needed commenting upon.</p><p>It would also help in moderation, as the amount of spam was huge. This though will be a problem everywhere for a long time.</p><p>The problem then becomes finding the conversation, which is not that hard now. You can <a href="http://www.google.com/">google</a> a URL, and use <a href="http://www.technorati.com/">Technorati</a> to find weblogs that link or use tags. So in fact building up a view of a conversation is not that hard, maybe navigating it in a meaningful way might take some practice but is definitely do-able.</p><p>So now we move onto the BBC. I worked on a project where we built some software that was probably overcomplicated for the task in hand and the comments that came in were not &#39;that&#39; interesting. Or rather they probably were not worth the cost per comment (if you analyse it that way), when using a standard contact us type form on the site would have sufficed.<br /> <div><br />So how much value do most comments add to the original content? If you look across the web it just varies from site to site. Being able to comment on a friends weblog seems appropriate. The places I think it is not working is when you have comments across a site generically. The Guardians Comment Is Free is not as much of a success as I think the Guardian would have liked. Many of the BBC&#39;s weblogs though do get valuable comments.<br /><br />So in fact a generalisation such as &#39;switch off comments&#39; is not valid it does though push forward a number of smaller ideas.<br />&#160;<br /><ul><li>Who owns the comments?</li><li>Where does the conversation take place?</li><li>How do we find the conversation?</li></ul>The answers are rather simple too, the author owns the comments, it takes place on the web (now the web can extend beyond the traditional web, mobile techologies, web on TV etc.) and finding the conversation, ok its not real time yet but you can find it using Google and Technorati and other similar tools.<br /><br />The quickest thing that the BBC (and similar sites that produce large amounts of content that is ripe for comment) to do would in fact be to publicise tags along with the page/programme, well that and commit to a permanent URL for an asset (and that is something the BBC is working towards quickly, every programme will have a unique URL for it).<br /><br />I did these two graphics a while back, they are linked too back in the posts here on nodalpoints but I will include them here again.<br /><br /><div at:enclosure="asset" at:xid="6a00ccff8ddda9406400ccff98fd8d6ea5 6a00ccff8ddda9406400ccff92618cd756" at:format="strip-vertical" at:align="left" class="enclosure enclosure-left enclosure-strip enclosure-strip-vertical"  style="text-align: center; float: left;">
<div class="enclosure-inner" style="width: 130px; margin: 5px; border: 1px solid; text-align: center;"><a href="http://nodalpoints.vox.com/library/photo/6a00ccff8ddda9406400ccff98fd8d6ea5.html" class="enclosure-strip-link" title="US Mid Tem Elections 2006 Tag Slide"><img src="http://a5.vox.com/6a00ccff8ddda9406400ccff98fd8d6ea5-120pi" alt="US Mid Tem Elections 2006 Tag Slide" class="enclosure-strip-image" style="margin: 5px; border: 0;" /></a><br /><a href="http://nodalpoints.vox.com/library/photo/6a00ccff8ddda9406400ccff92618cd756.html" class="enclosure-strip-link" title="Blogging Television"><img src="http://a4.vox.com/6a00ccff8ddda9406400ccff92618cd756-120pi" alt="Blogging Television" class="enclosure-strip-image" style="margin: 5px; border: 0;" /></a><br /></div>
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Graphics that just list the suggested tags for posts etc. Just like
they do for conferences now, we could have them for the channels and
the programmes and sites.<br /><br />It makes it easier to find the posts that discuss the content.<br /><br />Beyond this there could be spaces for other services that manage your comments in a stream so that you can retain more control over them, even if they are not posted on your weblog. Maybe this is some kind of Public Service Publisher service, maybe it is something that the BBC builds. <br /><br />As long as organisations get involved with initiatives like <a href="http://www.dataportability.org/">Data Portability</a>, <a href="http://www.apml.org/">APML</a> etc (and they are) then all things are possible.<br /><br />There will always be projects where it is totally appropriate for comments to be right there on the site, on the page but not always and I think, the BBC at least, has a duty to start encouraging people to interact with the web away from bbc.co.uk. <br /><br />This is happening in many pockets at the BBC and the Social Bar is not some initiative to be taken up by the BBC or not, this is just a floating of ideas about comments and how we interact with content online. I am using the BBC as a bit of a space to try out these ideas at the moment, but my thinking (for all its flaws) is based on experience beyond this type of site. <br /><br /><br /><br /><br /><br /></div><div><br /></div></p>   <p style="clear:both;"> 
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    <category term="thesocialbar" scheme="http://nodalpoints.vox.com/tags/thesocialbar/" label="thesocialbar" /> 
    </entry> 
    
    <entry>
        <title>Raising The Social Bar</title>   
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        <published>2008-01-15T11:41:57Z</published>
        <updated>2008-11-29T14:20:23Z</updated>
    
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            <name>nodalpoints</name>
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        <p><em>I gave a presentation on this project at the recent BarCampLondon3. More thoughts and further thinking is below.</em><br /><div>
<br class="webkit-block-placeholder" /></div><div><strong>What is it?</strong></div><div>The
Social Bar is the name for a small R&amp;D project that I have been
doing at the office. The area of research is in comments, especially on
the BBC&#39;s website but also how they work on large media type sites in
general.</div><div><br class="webkit-block-placeholder" /></div><div>Where
does the conversation take place. In recent years the BBC as well as a
number of other large media sites have started to open up, to allow
people to comment on parts of the site, started weblogs that reside on
bbc.co.uk and are written by staff and talent.</div><div><br class="webkit-block-placeholder" /></div><div>The
Social Bar is about the idea that this mechanism is not serving the
licence fee payer well enough, that we need to take a lead in the next
step to, almost step back, to what the web was about.</div><div><br class="webkit-block-placeholder" /></div><div>At
its most basic it is about creating a barrier to entry, if you want to
comment about something on the BBC&#39;s website then you have to go
through some processes that recently were not there. I know that this
sounds wrong, especially in terms of the BBC and access for licence fee
payers but there is a reason for this.</div><div><br class="webkit-block-placeholder" /></div><div>In fact these reasons can be summed up as follows:</div><div><br class="webkit-block-placeholder" /></div><ul><li>A lot of comments on many sites are trivial. They do not add any real
value to the content that is there (be it a weblog post, a news article
or some other piece of editorial content on the BBC&#39;s website).</li><li>For all the BBC&#39;s will to be creating a space where people can say what
they like it in fact can not do this. Policy gets in the way, even
marketing can get in the way. What appears under the URL www.bbc.co.uk
has to fit in with certain guidelines and perceptive needs.</li><li>The BBC is supposed to be your (the licence fee payers) trusted guide
and gateway to the internet. What service can achieve that whilst
trapping your thoughts on its own site?</li></ul><div><br class="webkit-block-placeholder" /></div><div>All
of this started to come together when I was given a bit of time to do
some R&amp;D in the office. I have been thinking about comments,
attribution, ownership and reputation for a while and took this
opportunity to try and shape some project. Initially a number of
technical proposals started to take shape (I will share these online
soon, more in support of this idea rather then as actual proposals to
build stuff). What I started to find was that it really is not a
technical problem and as such does not need a technical solution.&#160;</div><div><br class="webkit-block-placeholder" /></div><div>It
is a cultural change and one that has to happen at the BBC. It is not
the audience doing anything wrong (in fact there is no right or wrong
about any of this, just that I believe that we need to move on from the
current model quickly).</div><div><br class="webkit-block-placeholder" /></div><div>So what needs to change and why exactly?</div><div><br class="webkit-block-placeholder" /></div><div>Think
about the interactions with content on the BBC&#39;s site (I am going to
assume that we are just talking about the BBC&#39;s website but this could
apply to any large site, especially media sites).&#160;</div><div><br class="webkit-block-placeholder" /></div><div>You can get in touch. Yes you can its on each of the pages on bbc.co.uk as it is part of the main page templates. <br /><br /></div><div>
    
    
    

    
    
    

    
    
    
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</div><div><br /><br />Now
if you look at some parts of the BBC you will also be able to bookmark
the page using services such as del.icio.us, reddit and digg. Via these
tools you can also apply some tags to the content.</div><div><br class="webkit-block-placeholder" /><br />
    
    
    

    
    
    

    
    
    
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</div><div><br class="webkit-block-placeholder" /></div><div>Some
pages also allow you to leave comments. These include the blogs (go to
http://www.bbc.co.uk/blogs/) as well as other parts of the site. This
is on a site by site basis, for example The One Show asks for your
comments, but Doctor Who does not.</div><div><br class="webkit-block-placeholder" /></div><div>How
these comments work also differs across sites. There is moderation
everywhere, some of the weblogs allow for post moderation of comments
but otherwise everything is moderated before it is posted to the live
website.&#160;</div><div><br class="webkit-block-placeholder" /></div><div>The
One Show for example has what it called &#39;Curated Comments&#39; these are
heavily moderated, as many of the news comments are as well. That is
appropriate, the BBC is well known for its editorial standards.
Applying these standards to comments in much the same way as letters to
the editor of a paper are handled and published should be acceptable in
terms of the BBC&#39;s web site.</div><div><br class="webkit-block-placeholder" /></div><div>So
we have Contact, Tag and Comment. Ideally it would be great if you
could Annotate as well but this seems a long time in coming so we will
forget about that for the moment.</div><div><br class="webkit-block-placeholder" /></div><div>Now
my contention has been that if you looked at a lot of the comments that
appear on these sites they are trivial, in fact they would probably be
better classified as Contact, in as much as it is the commentator
wanting to get in touch with the author. To be sure there are some
comments that are very good but if you looked at the cost per comment
that was editorially worthwhile it would in fact look like a rather
expensive way to get content onto the web.</div><div><br class="webkit-block-placeholder" /></div><div>So
how about we make a few changes. First off, if you want to get in
touch, then use that contact link. In fact make it more promanent and
make sure that the comments get through to the correct editorial team
quickly. Then make sure that team take time to respond to these
contacts where appropriate.</div><div><br class="webkit-block-placeholder" /></div><div>Tags,
well they are useful and it would be even more useful to get these tags
on the page, a box showing how this page has been tagged by both the
BBC (as an &#39;official taxonomy&#39;) and the audience (as the folksonomy).&#160;</div><div><br class="webkit-block-placeholder" /></div><div>Comments,
here it would be good to have something consistent across the whole of
the BBC and when you press on it, here is where I want us to do
something different.</div><div><br class="webkit-block-placeholder" /></div><div>If
you want to comment we should be encouraging you to do so but to do so
from your own space on the web. In fact this space could as well be
your Facebook profile page, your MySpace site or a weblog. It might
even be a comment on some other forum or space which the person is a
member of what is happening is:</div><div><br class="webkit-block-placeholder" /></div><ol><li>They are being asked to create a space, an identity online. Attached to
this identity will be their comments on the BBC comment.</li><li>Link to what they want to comment about. Something that we are loosing
with all these facilities to comment right there on the page is the
fact that the web was built to link. We should be linking to pages. It
is how the web is supposed to work, it is how search engines work.&#160;</li></ol><div><br class="webkit-block-placeholder" /></div><div>The
BBC should be encouraging this kind of behaviour. In fact what the BBC
should be doing is asking people to get involved in the conversation
and guide them to the places to have these kinds of discussions. Some
will be forums, others will be discussions that take place across the
blogosphere on different peoples weblogs. Some parts will be posts,
others in the comments there.&#160;</div><div><br class="webkit-block-placeholder" /></div><div>We
(the BBC) can guide people, we can suggest some good places to start
and forewarn and forearm them about the facts of moving beyond
bbc.co.uk. We could even have online courses similar to WebWise and
Computer Tutor on how to start creating your space. Setting up a weblog
and writing posts (this could tie in with other campaigns, literacy for
example), using the likes of flickr, MySpace and Facebook and other
such services to tool up people into living part of their lives online.</div><div><br class="webkit-block-placeholder" /></div><div>What
we also need is for members of the BBC to feel that they can take part
in the conversation that happens &#39;out there&#39;. They should feel that
they can post on another weblog or forum, link where appropriate and
generally post whilst representing the BBC. We can then say to our
audience that we will be taking part in the conversation about our
editorial content (the core of what the BBC does) and we will take part
in places away from home, not on our turf.</div><br />
As I mentioned before, this started as a technical project and has
changed to one of wanting to change how we work on the web at the
moment. There are technical things that can be built, most of them not
too complex, aggregators and more tools to help point people to where
the conversation is happening. It may be that the money we save in
moderation costs in fact goes into more editorial work guiding people
and participating in the conversation but that I do not think is a bad
thing.</p><p>I think this is a fairly rich topic and is not an idea that is going to change things overnight. There are probably holes in the thinking above (should we be making things harder for people to comment, can we make sure that the producers of content do get involved in the conversations, etc.).</p><p>If you can think of reasons not to do this, or to go right ahead then please do let me know. I will post more thoughts on this shortly, including some information on the technical ideas that I thought I was originally going to build, something that might be better suited to being an independant public service publisher.<br />&#160;<br /> </p>   <p style="clear:both;"> 
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    </entry> 
    
    <entry>
        <title>lean forwards</title>   
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        <published>2007-12-07T12:33:43Z</published>
        <updated>2008-06-04T17:10:55Z</updated>
    
        <author>
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        <div>That is what interactive television was supposed to be about. If you just watch then you lean back, let the content wash over you when the calls to action appear though, you can lean forward, engage with the content.</div><div><br class="webkit-block-placeholder" /></div><div>It has not really been realised yet, the main reason I feel though is the wrong content has been targeted. The documentary is in fact the real arena for interactive television. These are complex narratives with strands that can take you off almost at tangents to the original thesis and then sneak you back to it, via a series of clever conceptual leaps and connections.</div><div><br class="webkit-block-placeholder" /></div><div>The interactive documentary is where you would want to add annotations, snip sections for further discussion (though these snippets would have to always link back to the orignal source). It should allow you to search and discover more background material or perhaps wonder why such material is not there to be found.</div><div><br class="webkit-block-placeholder" /></div><div>It would allow for discussion, possibly for argument. Television should not be passive. It is there in all of our lives, to reduce it to just the passive flickering screen is to accept an opiate and numb our minds. If television continues on this path then it needs to be fought against.</div><div><br class="webkit-block-placeholder" /></div><div>The documentary is the most obvious hook onto which to hang interactivity, to allow for spaces for the viewer to explore playfully the narratives and ideas.</div><div><br class="webkit-block-placeholder" /></div><div>Over time maybe drama will also be able to accept this but conceptually it is harder to accept a drama where you can explore it (at least in the context of television, video games even the most narratively complex at the moment are still emotionally weak compared to the best of drama).</div><div><br class="webkit-block-placeholder" /></div><div>Why am I talking about this now? Well for the last year I have been working with a number of people trying to realise a toolkit to make it easier to build interactive television applications. We are not quite there and I think that we have made a few wrong turns in the development process.</div><div><br class="webkit-block-placeholder" /></div><div>What we have done though is try to think a lot about the possible content. Maybe it is with documentary it is easy to find all the extra material that makes it easy to build an interactive application, to furnish the other routes with content that can be made available. Maybe it is an easy route but we live in a world where a power point presentation on global warming wins an Oscar, where documentaries that are created very much with a personal viewpoint and voice are very successful at the box office.</div><div><br class="webkit-block-placeholder" /></div><div>Whilst my employer (the BBC) seems to cut roles in the areas of News and Current Affairs in favour of big shiny floor shows, there is a thirst for content that stimulates the mind, that does not pacify it by regurgitating safe views in an echo chamber, reinforcing prejudice.</div><div><br class="webkit-block-placeholder" /></div><div>I think very soon tools to enable this will be online, allowing you to create not just mash-ups of content online but allow you to author paths, more depth and options into the content you would put up there. How will it be delivered, well most likely over broadband to you computer at first but with a bit of thought, the interaction can be in a way that would allow you to watch it on your television, with others. To discuss and investigate alone or in a group, to share your views and takes with others online.</div><div><br class="webkit-block-placeholder" /></div><div>The future of interactive television does not really lie with the big broadcasters, to deliver it over the air is too costly. To deliver it over the web makes more sense and we will be able to interact with various devices and new &#39;cool&#39; technologies.&#160;</div><div><br class="webkit-block-placeholder" /></div><div>Yet at the heart of it will be the desire to tell a story, in a way that will help the audience engage with that story by bringing them into the narrative and allowing them the opportunity to explore, play and learn.</div>    <p style="clear:both;"> 
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</p>

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